What message do you have for the younger generation of up-and-coming artists today? In the interview, conducted by Shelley Tremain, Professor Lodge discusses some of his struggles with depression and bipolar disorder, and his recent turn, after a career of research largely focused on issues in early Modern philosophy (especially Leibniz), to “combine academic writing with my life as someone with a bipolar diagnosis.” Listen to how artists understand the work of Isa Genzken. One time I even said to him, “Architecture is a catastrophe in Germany; we’ve got to change that,” and he told me, “Go ahead, you can always sign for me if you ever need to.” I’ve never taken him up on the offer, though!WASIK: You once said in an interview, “I want to animate the viewers, hold a mirror up to them.” Why do you believe it’s important to put yourself in the viewer’s shoes and create art that transforms them?GENZKEN: Because it’s exactly this kind of role reversal that I’m interested in, and then it actually makes it a challenge for the viewer. With an oeuvre spanning an astonishing multiplicity of approaches from assemblage to sculpture to painting to photography to large-scale installations, Genzken simply can’t be defined by a single medium.Not one to function within the confines of art-world niceties, Isa Genzken once conducted a minute-long video interview with Kai Althoff titled “Why I Don’t Do Interviews.” Notorious for giving precious few throughout her career, we were fortunate enough to pin her down in a blunt and unmistakably Genzken-esque interview on why she doesn’t play the media game, her love affair with New York City, and how former husband Gerhard Richter said her art is better than Andy Warhol’s.EMILY WASIK: Firstly, congratulations on your traveling “Isa Genzken: Retrospective” exhibition currently on show at MCA Chicago, and thanks for agreeing to do this interview!
Isa Genzken “Window“ at Hauser & Wirth, London, 2020
Category: As one of only five female artists to whom MoMA granted a solo exhibition over the last decade, her latest “Isa Genzken: Retrospective” brought her to the cutting edge of New York’s male-dominated art scene. If you're seeing this message, it means we're having trouble loading external resources on our website. These economical interventions alter our own perception of what and how we see, so that we can reflect on the space surrounding both the artwork and ourselves. The base of the sculpture also serves as a bench or resting place, allowing the participant to stop a moment and look, an often-forgotten activity in today’s fast paced society.
Mar 11, 2017 - Explore Yoki's board "Isa Genzken", followed by 551 people on Pinterest. See more ideas about Isa, Contemporary art, Installation art. However, we were not wealthy ourselves and only had one room and a record player.WASIK: You’ve spoken of your fervent love of New York City, your second home, which has been like a muse of a city for you since you began visiting regularly in the ’70s. You even titled your 2006 book GENZKEN: I first went to New York when I was 15. Do you believe the same relationship should apply between people and art?GENZKEN: Yes, because in some parts of the world, you get scrutinized for saying the wrong thing about art and in other regions, you get scrutinized for saying nothing at all.WASIK: You met the charming Mr. Beuys a few times when he was alive.
Berlin artist Isa Genzken has shattered countless glass ceilings throughout her four-decade career, while inextricably transforming her audiences by mirroring them in the shards. Well, I knew I was an artist the moment I woke up in my mother's belly and, as an artist, I shouldn't have to give interviews.. Isa Genzken “Window“ at Hauser & Wirth, London, 2020 “Window” is an exhibition at Hauser & Wirth London by Isa Genzken featuring a new and unseen body of work. Standing approximately at human height they are too small to be monuments, but too large to stand on a plinth. Genzken literally holds a metaphorical mirror to the Stadthalle, asking it to reflect upon itself. Nov. 21, 2013 The German artist Isa Genzken once conducted a minute-long video interview with a fellow artist and titled it, “Why I Don’t Do Interviews.” In a …
If you continue to use this site we will assume that you are happy with it. Harvesting, fusing and re-constructing references from myriad sources, she takes an anything-goes approach to the materials she uses to convey multiple meanings in unexpected ways. Isa Genzken “Window“ at Hauser & Wirth, London, 2020 Can you give us a hint of what we might expect to see from you in the future?GENZKEN: Personally, I don’t believe in having expectations, but I can say that, regarding my exterior sculptures, I will only exhibit sculptures in the future that will enrich their surroundings.WASIK: In recent years, a new generation of artists and art lovers have been inspired by your unconventional ingenuity. 'Isa Genzken, the artist who doesn't do interviews' (2014) Quotes from: 'Isa Genzken, the artist who doesn't do interviews' interview by Emily Wasik, 15 May 2014. I can’t do much about that.” Why do you think your art is difficult to understand?GENZKEN: Because “hip-hop” art is simpler and more comprehensible for most people.WASIK: In one of the portraits of yourself at the MoMA exhibition, you are gazing at a photograph of Andy Warhol. Courtesy of JENS KALAENE/AFP/Getty Images. Isa Genzken has long been considered one of Germany’s most important and influential contemporary artists. Sometimes people do and sometimes they don’t. Interview; First Proof; Portfolio; Review; Essay; Discover. Cement, plaster, and wood sculpture, titled Church, by Isa Genzken with installation shot. Did you feel that it was important for you to swim against the tide, so to speak, against artists like Beuys and Richter, to distinguish yourself?GENZKEN: To tell you the truth, it was even more important for me to distinguish myself as being worlds apart from German painter and sculptor Markus Lüpertz.WASIK: You were married for a decade to Gerhard Richter.
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isa genzken interview